Roger van Lunteren

Vanish starts out with an emotional chord sequence, as you enter the fluid world of the subconscious. A gnarly bassline welcomes your arrival and lets you know things here aren’t exactly what they seem. Journeying on through seemingly dark areas, it ends with a hopeful melody and the bass softens as you start feeling weightless. Uncontacted uses choral pads and two intertwining 303 sequences as a way of communicating between the different dimensions.